Fragility as political power: Poiesis and imagination from Benjamin and Agamben
Main Article Content
Abstract
This essay proposes a reinterpretation of human fragility, not as weakness, but as ethical, aesthetic, and political power. Imagination is presented as an expression of this power—a category that articulates sensitivity, creativity, and freedom. Drawing on the work of Giorgio Agamben, Walter Benjamin, and Castor Bartolomé Ruiz, the notion of the "force of fragility" is developed, linking it to the poetic gesture and profanation as micropolitical strategies capable of undermining neoliberal and biopolitical regimes of control. The analysis is structured along three axes: I. exploring fragility as a constitutive fracture of subjectivity and ethical openness; II. understanding fragility as a condition of imagination and resistance, showing how human sensitivity becomes a privileged space for escaping the logic of capture and imagining other possible worlds; III. examining the poetic gesture and profanation as micropolitics that, through their ineffectiveness, engender forms of life that resist instrumental rationality. Based on Ruiz's (2003, 2008) interpretation of the human as a fractured being and imagination as a symbolic power for creating meaning, the text expands the dimension of fragility as a constitutive opening—the fracture through which the human becomes capable of language, aesthetics, and ethics. By articulating the imaginary and fragility as central categories, it proposes a politics of the sensitive based on the power and poetic capacity to reinvent the common.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright Notice
The author of the article or book reviews submitted and approved for publication authorizes the editors to reproduce it and publish it in the journal O que nos faz pensar, with the terms “reproduction” and “publication” being understood in accordance with the definitions of the Creative Commons Attribution-NonCommercial 4.0 International license. The article or book reviews may be accessed both via the World Wide Web – Internet (WWW – Internet), and in printed form, its being permitted, free of charge, to consult and reproduce the text for the personal use of whoever consults it. This authorization of publication has no time limit, with the editors of the journal O que nos faz pensar being responsible for maintaining the identification of the author of the article.
References
AGAMBEN, Giorgio. A comunidade que vem. Lisboa: Editorial Presença, 1993.
AGAMBEN, Giorgio. Homo Sacer: poder soberano e vida nua. [Homo Sacer, I]. Trad. Henrique Burgo. Belo Horizonte: UFMG, 2002.
AGAMBEN, Giorgio. Estado de exceção. [Homo Sacer, II]. Trad. Iraci D. Poleti. São Paulo: Boitempo Editorial, 2004.
AGAMBEN, Giorgio. Infância e história: destruição da experiência e origem da história. Belo Horizonte: UFMG, 2005a.
AGAMBEN, Giorgio. The Time That Remains: A Commentary on the Letter to the Romans. Translated by Patricia Dailey. Stanford, California: Stanford University Press, 2005b.
AGAMBEN, Giorgio. A linguagem e a morte: um seminário sobre o lugar da negatividade. Trad. Henrique Burigo. Belo Horizonte: Editora UFMG, 2006.
AGAMBEN, Giorgio. Profanações. Tradução e apresentação de Selvino José Assmann. São Paulo: Boitempo, 2007a.
AGAMBEN, Giorgio. Arte, inoperatividade, política. Conferências de Serralves, 2007b.
AGAMBEN, Giorgio. O que resta de Auschwitz: o arquivo e a testemunha. [Homo Sacer, III]. São Paulo: Boitempo Editorial, 2008.
AGAMBEN, Giorgio. Meios sem fim: notas sobre a política. São Paulo: Autêntica, 2015.
AGAMBEN, Giorgio. O homem sem conteúdo. Belo Horizonte: Autêntica, 2017a.
AGAMBEN, Giorgio. O uso dos corpos. São Paulo: Boitempo, 2017.
BENJAMIN, Walter. Ensaios reunidos: escritos sobre Goethe. São Paulo: Editora 34, 2009.
AGAMBEN, Giorgio. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. São Paulo: Brasiliense, 2012a.
AGAMBEN, Giorgio. BARRENTO, João. O Anjo da História. 2ª edição. Belo Horizonte: Autêntica, 2012b.
AGAMBEN, Giorgio. Escritos sobre mito e linguagem (1915-1921). Organização e notas de Jeanne Marie Gagnebin. São Paulo: Editora 34, 2013.
AGAMBEN, Giorgio. Origem do drama trágico alemão. Belo Horizonte: Autêntica, 2016.
CASTORIADIS, Cornelius. A instituição imaginária da sociedade. Rio de Janeiro: Paz e Terra, 1982.
LÉVINAS, Emmanuel. Totalidade e Infinito: ensaio sobre a exterioridade. Trad. José Pinto Ribeiro. Lisboa: Edições 70, 1980.
RUIZ, Castor Bartolomé. Os paradoxos do imaginário. São Leopoldo: Editora Unisinos, 2003.
RUIZ, Castor Bartolomé. As encruzilhadas do humanismo. São Leopoldo: Editora Unisinos, 2008. The Time That Remains: A Commentary on the Letter to the Romans. Translated by Patricia Dailey. Stanford, California: Stanford University Press, 2005b.