Frenhofer's foot: ichnography and diagram in Balzac's Belle Noiseuse

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Capa do número 48 da revista O que nos faz pensar
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Published: Jun 30, 2021
DOI: https://doi.org/10.32334/oqnfp.2021n48a812
Keywords:
Balzac's The unknown masterpiece, aesthetics, literature, painting, ichnography, diagram

Main Article Content

Luiz Roberto Takayama
Universidade Federal de Lavras
http://orcid.org/0000-0002-3109-1369

Abstract

It is intended to make a brief analysis of Balzac’s novel The unknown masterpiece, seeking to approach the "failure” or the "success" of Catherine Lescault –  Frenhofer's painting, central character of the novel –, in the light of the concepts of ichnography and diagram, as elaborated by philosophers Michel Serres and Gilles Deleuze, respectively.

Article Details

Issue
Vol. 29 No. 48 (2021): No. 48: June 2021
Section
Articles

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Author Biography

Luiz Roberto Takayama, Universidade Federal de Lavras

Possui doutorado (2012) em Filosofia pela Faculdade de Filosofia Letras e Ciências Humanas da USP e mestrado (2007) em Filosofia pela mesma instituição. Atualmente é professor de Filosofia do Departamento de Ciências Humanas da Universidade Federal de Lavras (UFLA). Tem experiência na área de Filosofia, com ênfase em Estética e História da Filosofia Francesa Contemporânea, atuando principalmente nos seguintes temas: Estética na Antiguidade (Platão e Aristóteles), filosofia de Gilles Deleuze, filosofia da arte, filosofia e cinema, teoria da imagem.

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